Sunday, February 23, 2020

Question 2 Essay Example | Topics and Well Written Essays - 750 words

Question 2 - Essay Example It is the interest which the insured stands to lose if the risk attaches. The risk that is therefore attached to every passenger in a public means of transport is varied to some extent (Soule, 1917 p. 210). The liability of Eastern Express’s insurance company on each of the individuals in this situation will depend on the interest that the train insured. Invariably, there are two or more parties who are always involved in an accident that occurs by a public means of transport. In this case, it is the train at fault. The insurance undertakes to pay compensation to the parties aggrieved by the accident on behalf of the driver or the company that insured the train. The insurance that such means of transport usually take among other things, provides insurance cover in respect of loss or damage that is suffered through damage of property or the death of the injury to any person resulting from an intentional or negligent act or omission by the operator or agents or servants of the o perator of the train in connection with the provisions of public passengers and transport services. Fred Fred has become permanently blind and his camera equipment, which he was transporting with him, was destroyed. While it is true that the eye sight of a film maker is essential to his job, this cannot be used as a basis to claim, future or anticipated loss of income. Fred had not yet made a deal with the television company, and it would therefore be had to calculate how much his income would have been. However, the insurance company will have to compensate him for the injuries that he has from the accident and the damage on his equipment. Albert Albert was 85 years old and suffering from terminal cancer. Even though Albert was already old and terminally ill, it would be evident that it was the accident that caused his death. However, given his age and his disease, the compensation would not be as much as for an individual who is still considered productive. His estate can only cla im compensation for the death that was caused by the accident. His age and state of health does not rule out the possibility and right to be compensated. Lydia Physically, she was unhurt but suffered Post Traumatic Stress Disorder, which stopped her working for a year, after which time she was only able to work part-time shop-assistant. However, Lydia has not been able to work as a result of her condition and would therefore require that her loss of income should be taken into consideration. If she settled her claim before the effects of her condition, she would not be in a position to renegotiate. Her circumstances are very unique and as such there would be several things to be considered, including her ability to continue with the job that she was doing before the accident. She also has a right to claim for emotional stress and the depression that her condition has impacted on her life. Cynthia Cynthia, a doctor in the next carriage, was also killed. She is at the prime of her age and has a good job. If it is proved that she is the breadwinner of her family, it would be paramount to compensate her estate relative the loss that the family has suffered. Moreover, she has a dependant, a daughter who is 15 years old whose circumstances have to be taken to consideration. As to the

Friday, February 7, 2020

Discuss artistic production during the Byzantine period Essay

Discuss artistic production during the Byzantine period - Essay Example The history of artistic production in the Byzantine period Arguably, artistic production denotes the creation of objects that viewers would perceive as significant or rather beautiful. Further, art highlights on the important factors prevailing in a certain community over a given period. During the Byzantine period, Emperor Constantine ruled the territory and enforced construction of Aelia Capitolina, which served as the main city after replacing the ruins of Jerusalem city (Nici 261). He emphasized that the whole empire needed to profess the Christian faith thus inhibiting the inhabitants from adapting or embracing any other religions presented in the kingdom. Fig. 1 Constantine Sculpture Therefore, Constantine served as a major stimulating factor towards the renowned artistic production in the empire as he ordered the building of some of the historically renowned churches in the Middle East (Richardson, Angeliki, and Kim 82). For instance, Constantine ordered for the building of th e Basilica church and other monuments around the city. Chronological accounts further present that the Byzantine society built the Rotunda during the reign of Emperor Constantine as an owner to his mother’s dreams about the tomb of Jesus Christ (Jeffreys 132). Further, the society had other numerous distinctive cultures that prevailed over several dynasties. Mainly, the building of streets marked the second largest and globally recognized cultural activity of the Byzantium dynasty. For instance, the building of the Cardo street and narrowing of the Roman-built streets such that the Byzantine streets intersected at the empires city square and extended perpendicularly to other worshipping sites in the North and South regions, and the East and West regions of the empire. Further, Constantine elevated numerous monuments along the streets that led to the worshipping centers to honor numerous biblical teachings (Onians 164). Therefore, it is sound to argue out that Byzantine art wa s a form of denoting Christian teachings and promoting the religion during the barbaric period. Further, the empire’s culture contributed to the recognition of the Renaissance period after the evasion of obstacles that focused on savoring the empire into rubbles. Some of the period’s most renowned artistic productions The empire’s artists were well known for their passion in the creation of monuments and mosaics for example, creation of â€Å"The Image of Christ of Pantocrator.† The artistic production is one of the most infamous mosaics of the Byzantine period, from the Hagia and Sophia in Constantinople period. Mainly, history assumes that most of the Christian paintings targeted to draw the involvement of Christianity in the region despite the threat of Muslim invaders who were apparently seeking to spread their religion across the Asian and European regions (Richardson, Angeliki, and Kim 85). Fig.2 the mosaic of Christ of Pantocrator Since the Constan tinople Empire toppled the Roman Empire, it did not readily produce its own art but continued to develop the Roman Empire’s arts. Mainly, the Byzantine art coincided with the Greek artwork since the predecessors had borrowed their artistic designs,